GSnap is an auto-tune effect. It can be used subtly to correct the pitch of a vocal, or, with more extreme settings, to create a robot-voice effect. It requires a monophonic input signal to operate. GSnap: Interface of Free Autotune Plugin. The GSnap Autotune Effect Plugin features a set of 12 knobs that control all of the plug-in's parameters. Best Gsnap Settings For Auto Tune Online For GSnap to work effectively, the input signal should be monophonic, at a good level and reasonably noise-free. For example, a clean, mono vocal recording, without excessive noise or reverb. Effect plug-ins should be placed after GSnap in the signal chain.

How are we doing everybody? It's Aaron again from R-Loops & TheDrumBank. Today we are going to learn how to make vocals like Post Malone (and other pitch corrected artists) for absolutely free!
First things first, you will want to download a Plugin called G-Snap. It's free & easy to use pitch correction software that I still use on many of my vocal tracks today.
Once you have this installed and you have updated your DAW, we are now ready to begin our vocal editing.
Now I am no singer in any way, shape or form. Just take a listen to this clip without any effects. Horrible right? But when we add the effects it sounds like a completely different person.
Here's what I did:
First & foremost, we need to record your vocals. Don't try to hard to sing. Just go with whatever comes to you and let our editing do the rest. Most of the time, I just harmonize my vocals with flow & soft tone that sounds good on the song.
Then, duplicate your track 2 times so you have a total of 3 tracks. Pan the 1st track to the right, the 2nd track to the left and leave the 3rd track in the center. I would pan the first 2 tracks hard but don't put them at the same exact width. Group these 3 tracks together.
Next, you will want to turn the volume of the third track VERY low compared to your first tracks. This is because we are going to add a compressor and SLAM the SH*T out of it! This will give your underlying vocal a very aggressive drive, making the vocals sound more full in the mix. To do this, drag a simple compressor on the 3rd vocal track, turn the Ratio all the way up while the Attack & Release are all the way down. Now move your Threshold until your Gain Reduction reaches about the midway point. Your vocal should sound a little distorted, this is perfect! Adjust the volume to fit well within the other 2 panned vocals.
Now its time to add effects to the entire vocal. Select the Vocal Group you have created containing all 3 vocals.
The first effect to add is GSnap. Drag GSnap on your Vocal Group and enter the settings below.
GSnap Autotune Settings:

Best Gsnap Autotune Settings For Rap; Gsnap Settings For Drake; Gsnap Autotune Audacity; GSnap is a pitch-correction tool or auto-tune effect. This audio plugin can be used subtly to correct the pitch of a vocal, or, with more extreme settings, to create a robot-voice effect (T-Pain or Cher effect). Drag GSnap on your Vocal Group and enter the settings below. GSnap Autotune Settings: Key & Scale: The key & scale of your song Min Freq: 40Hz Max Freq: 2000Hz Gate: -80 Speed: 1 Snap To Selected Notes: Yes Threshold: 320 Amount: 100% Attack: 1ms Release: 1ms Pitch Bend: 0 cents Vibrato: 0 cents Vib Speed: 0.1 Calibrate: 440 Next, you will want.

• Key & Scale: The key & scale of your song
• Min Freq: 40Hz
• Max Freq: 2000Hz
• Gate: -80
• Speed: 1
• Snap To Selected Notes: Yes
• Threshold: 320
• Amount: 100%
• Attack: 1ms
• Release: 1ms
• Pitch Bend: 0 cents
• Vibrato: 0 cents
• Vib Speed: 0.1
• Calibrate: 440

Next, you will want to add some EQ. This will just be a quick EQ to decrease low-end frequencies we do not want and increase the mid/highs to increase clarity and brightness.
Then we will add a quick compressor. Again, it doesn't have to be anything crazy, just enough to kind of pull the vocals back together.
Next, we will jump into the reverb. To me, this is one of the more important aspects of getting that New School vocal sound. The vocals have a ton of reverb to add space and width. You can add different reverbs to your first initial tracks (panned left and right) to give a better feel but we will keep it easy. Add Reverb to your Vocal Group. I typically add between 2-2.5 seconds. I decrease the density to 40% and the Dry/Wet from 25% - 35%.
Lastly, we will add a Delay. I used a simple delay to give the vocals a little bounce back forth between the left and right channels. I also made it not so heavy that it overpowers the vocals it echoes over but still loud enough to add value to the track.
And there you have it, a quick, easy & FREE way to get vocals similar to Post Malone & other new school artists. You can also adjust these settings however you see fit, this video was specifically to get you started and on your way. I hope you enjoy these tips!
Keep creating and we will see you next time!

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I've recently started using the Antares Auto-Tune plug-in (version 3), and I need help! I used it recently on a male vocal that needed tuning. Even when using the plug-in's Automatic mode, I can't get a good sound out of it — the corrected voice sounds 'warbly' and fake. Can you offer any advice?

SOS Forum Post

Editor In Chief Paul White replies: Auto-Tune is designed to address the problem of vocal pitching imperfections, though I've also used it successfully on other instruments, including electric guitar solos and fretless basses. It is important to note that it can only handle monophonic sources, so if it sees complex mixed material, or sounds that have been treated with delay or reverb, it will tend to pass those sounds through untreated. This means if you have a vocal track with a lot of spill from other sources, Auto-Tune may refuse to work properly. On the plus side, it means you can treat a messy guitar solo that includes double notes or partial chords and they will all be ignored, leaving Auto-Tune to do its job only on single sustained notes.

The plug-in works by detecting the pitch of the incoming material in real time. Auto-Tune then uses a pitch-shifting algorithm to adjust the pitch of the input to the nearest note in a preset or user-definable scale. You can also leave Auto-Tune set to a chromatic scale, but I've found that this rarely works perfectly, especially if the singer uses a lot of bends or vibrato, as you can end up creating trills between two adjacent semitones. This could be contributing to the 'warbly' effect you're encountering, so make sure you have set the plug-in to work off the appropriate key and scale type for the melody you're treating.

The secret to making Auto-Tune sound natural is in not trying to make it correct sounds too quickly. There's a control called Retune — it appears as a rotary knob in version 3's GUI and as a slider in earlier versions — which adjusts the rate at which pitch correction takes place. You could think of it as the equivalent of a compressor's Attack control, and it's helpfully labelled with 'fast' and 'slow' at either extreme, although a numerical value is also shown. If you've already experimented with setting this control as fast as it will go, you'll have heard the familiar pitch-quantising effect that's been done to death on countless records since Cher's single 'Believe'. Setting a longer correction rate — move the knob/slider to its halfway point or below — allows a singer's natural bends, scoops and vibrato to pass through without obvious modification. Whenever they sustain a note, however, it will be pulled smoothly into pitch.

The Tracking control determines how Auto-Tune responds to low levels of spill. Again, it's intuitively labelled with 'relaxed' at one extreme and 'choosy' at the other. In most cases where the input signal is fairly clean, the default setting of around three-quarters of the way up should be fine.

Horizon zero dawn patch download. By using Auto-Tune on a clean, untreated vocal take, and adjusting the Retune control carefully, starting from the 'slow' end of the scale, you should be able to achieve transparent pitch correction.

The plug-in's Graphic mode allows far more detailed correction of the individual notes of a take, and is certainly not for beginners. I'd suggest that you get the hang of using Auto-Tune in Automatic mode before you get stuck into its more advanced features. If you haven't already done so, I recommend reading the Vocal Fixes article in SOS October 2003, which gives a fascinating insight into the ingenious ways that Auto-Tune is being used at the cutting edge of commercial record prodution.

Best Gsnap Settings For Auto Tune Free

I've yet to find a natural-sounding use for the vibrato section of Auto-Tune, as it sounds too mechanical and synth-like for my taste, but it may be useful as a special effect.

Best Gsnap Settings For Auto Tune Software

Finally, Auto-Tune and its contemporaries only sound really good when the singer you are working on has reasonable pitching in the first place. It is designed to correct errors of pitching, not entirely wrong notes, so there will be some vocalists, me included, for whom there is no salvation!